Nashville, Tenn. (March 18, 2019) — This fall, legendary recording artist Ray Stevens‘ legacy will be permanently sealed into the history books when he’s formally inducted into the Country Music Hall of Fame. This morning at a CMA-hosted press conference held at the Country Music Hall of Fame® and Museum in Nashville650AM WSM radio host Bill Cody announced Stevens as a 2019 inductee into the revered institution.

As part of the Country Music Hall of Fame Class of 2019, Stevens will be inducted in the “Veterans Era Artist” category, alongside Brooks & Dunnin the “Modern Era Artist” category and Jerry Bradley in the “Non-Performer” category.

“I am seldom at a loss for words but when they told me I was going to be inducted into the Country Music Hall of Fame, I was thoroughly caught by surprise,” explains Stevens. “What a great honor to be included in the company of the people who are already members. When I heard the news, I was speechless and all I can say is, ‘It don’t get no better than this!'”

The formal induction ceremony for Stevens, Brooks & Dunn, and Bradley will take place at the Country Music Hall of Fame® and Museum in the CMA Theater later this year. Since 2007, the Museum’s Medallion Ceremony, an annual reunion of the Hall of Fame membership, has served as the official rite of induction for new members.

CMA created the Country Music Hall of Fame in 1961 to recognize noteworthy individuals for their outstanding contributions to the format with country music’s highest honor.

Having one of the most multifaceted careers in entertainment has led Ray Stevens to the Country Music Hall of Fame.

During his six decades in the music business, he has been a session musician, a TV celebrity, a song publisher, a singer, a record producer, a real-estate magnate, a label owner, a nightclub entrepreneur, a music arranger, a video director, a studio builder, a pop-music hit maker, a comic, a gospel artist and a country star. 

Stevens is renowned for recording both novelties like “The Streak” and serious fare such as “Everything Is Beautiful.” He was elected to the Nashville Songwriters Hall of Fame in 1980. 

Born Harold Ray Ragsdale in Georgia in 1939, Stevens was a piano player from the age of seven. He grew up in Albany, Georgia, where he formed his first band and became a teenage disc jockey.

When he was 17, the family moved to Atlanta. He met his music mentor there, publisher/entrepreneur Bill Lowery. The mogul took him to Nashville to record and arranged a contract with Capitol Records. The company issued his self-composed teen tune “Silver Bracelet” with his “Ray Stevens” stage name in 1957.

Stevens majored in music in college. But he truly received his education from Lowery, as did his peers Bill Anderson, Mac Davis, Jerry Reed and Joe South. 

Lowery began using Stevens as an instrumentalist, backup vocalist and producer on recording sessions. The youngster also continued to make his own records. He first made the pop hit parade in 1960 with his novelty ditty “Sergeant Preston of the Yukon,” issued on Lowery’s NRC label. 

Stevens next signed with Mercury Records. He moved to Nashville in early 1962 and hit the ground running as a session musician on Leroy Van Dyke’s “Walk On By” and Joe Dowell’s “Wooden Heart.”

Those hits were recorded on the same day. So was his own comedic smash “Ahab the Arab,” which exploded on the pop charts later that year. He continued to record humorous, self-composed songs for Mercury for the next five years.

He also continued to work as a Music Row session musician. Stevens backed Brook Benton, Ronnie Dove, Brenda Lee, Patti Page, Elvis Presley, Charlie Rich, B.J. Thomas, and hundreds of others. He is the tenor harmony singer on the 1968 Waylon Jennings hit “Only Daddy That’ll Walk the Line.”

Stevens began his stint on Monument Records with serious material, such as “Unwind” and the socially conscious “Mr. Businessman” in 1968. He also produced some of Dolly Parton’s early recordings for the label. 

He roared back into the pop Top 10 with 1969’s wacky “Gitarzan,” but later that year introduced Kris Kristofferson’s somber “Sunday Mornin’ Comin’ Down.” The latter song marked Stevens’ debut on the country charts.

When pop superstar Andy Williams went on hiatus from his network television show in the summer of 1970, Stevens was tapped to host the temporary replacement variety series. For its theme song, Stevens wrote “Everything Is Beautiful.” 

Released on Williams’ Barnaby label, “Everything Is Beautiful” became a No. 1 pop smash. It also earned Stevens his first Grammy. The song has since been recorded by more than 100 other artists. 

In 1971, Stevens scored his first Top 20 country hit with the gospel standard “Turn Your Radio On.” In 1972, his recording of “Love Lifted Me” earned him a gospel Grammy nomination. “Bridget the Midget” became a massive British hit in that year as well. 

It was the early 1970s when Stevens invested in Nashville real estate, built his Music Row studio/office complex and formed his own publishing company. Staff songwriters included Layng Martine (Presley’s “Way Down,” Billy Crash Craddock’s “Rub It In”), Mark Peterson (Sammy Kershaw’s “Cadillac Style” and “I Can’t Reach Her Anymore”) and Buddy Kalb (Chet Atkins’ “Frog Kissin'” and many Stevens singles).

Released in 1974, “The Streak” topped both pop and country hit parades and became a five-million-selling phenomenon. The following year, Stevens created an ear-tickling, bluegrass-jazz arrangement of the Johnny Mathis pop standard “Misty.” It became his biggest country hit and earned him his second Grammy. 

His innovative skills as an arranger were also in evidence on a doo-wop version of the operetta oldie “Indian Love Call” (1975) and a treatment of the Glenn Miller swing classic “In the Mood” (1977) done in clucking chicken voices (billed as The Henhouse Five Plus Too). 

He continued to mix comic and serious songs during stints with Warner Bros. and RCA. But when he signed with MCA Records’ country division in 1984, it was as a comedy act. 

Stevens emphasized his funny forte in the 1980s with such country hits as his self-composed “Shriner’s Convention” (1980) and the Kalb-penned “Mississippi Squirrel Revival” (1985). “I Need Your Help Barry Manilow” (1980) and “Would Jesus Wear a Rolex” (1988) earned him comedy Grammy nominations. 

The fan-voted Music City News Awards named Stevens its Comedian of the Year for nine consecutive years from 1986-1994. His humorous efforts for MCA earned him a string of Gold and Platinum albums. He repeated these feats during a stint at Curb Records. 

In 1991, Stevens opened his own theater in Branson, Missouri. During the next three seasons, he performed for more than a million fans there. 

At the venue, he noted audience enthusiasm for his humor videos. His 1992 compilation “Comedy Video Classics” became a 10-times Platinum home video. This led to a series of similar DVD projects, several of which became million sellers. 

Stevens marketed both video and music efforts on his own Clyde label in the new millennium. In 2012, he issued the giant, 96-song boxed set “Encyclopedia of Recorded Comedy Music.” 

He published his autobiography, “Ray Stevens Nashville,” in 2014. The following year, he launched his own television series on RFD-TV and then Public Television.

In 2018, Stevens opened CabaRay. This 700-seat dinner theater is Nashville’s most sophisticated and technologically advanced showroom. 

Today, Stevens is regarded as the most successful comedy recording artist of all time. For more information on Ray Stevens, visit

*Photo credit: Angela Talley

***Suggested Tweet***@RayStevensMusic announced as 2019 @countrymusichof inductee! 

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